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    Kıbrıs Türk edebiyatında garip şiirinin izleri ve Pembe Marmara
    (Hitit Üniversitesi, 2026) Arslan, Haydar; Şenödeyici, Özer
    Since beginning, Cypriot Turkish Literature has maintained an organic connection with Turkish Literature in Turkey. This relationship bacame particularly visible when Garip Movement, which shaped Turkish poetry until the 1950s, began to infleunce Cypriot Turkish poetry in the 1950s with a delay of approximately ten years and continued its impact into the 1960s. Cypriot Turkish Literature, shaped both by its uninterrupted cultural ties with Turkey and by its own socio-political realities, transformed many characteristics of Garip poetry and created its own unique form. Among the poets who reflected traces of Garip movement in Cypriot Turkish Literature during 1950-1960 period, Pembe Marmara stands out as one of the strongest and most distinctive figures. Beginning her career with a hece-romantic style and then moving towards poetry marked by national sentiment in the 1940s, Marmara adopted the simplicity, focus on ordinary people, humorous tone and emotional connections built through everyday objects characteristic of the Garip movement during the post -1950 period. She reinterpreted these qualities in her own poetic practice. The influences of Orhan Veli, Melih Cevdet and Oktay Rıfat, who reshaped Turkish poetry through their innovative approach, are visible in Marmara's work. vii This study evaluates the effects of the Garip movement on Cypriot Turkish Literature, focusing especially on the traces of Garip poetics in Pembe Marmara's poetry in terms of theme, form and language. While the Garip movement in 1940s Turkey embraced an approach centered on ordinary individulas, daily life and colloquial speech, its reflections became particularly evident in Cypriot Turkish Literature after the 1950s and influenced several poets. Pembe Marmara, who produced poetry shaped by both personal and social sensitivities, created her own poetics through the simple, sincere, humorous and emotionally restrained style of Garip poetry. The aim of this study is to examine the traces of the Garip movement in Cypriot Turkish Literature and to reveal how Pembe Marmara 's poetic style developed in dialogue with the principles of Garip poetry.